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beneath this gruff exterior |
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2003, may 6, new west records |
CD. NW6045 | |||||||||||||||||
2003, may 6, new west records (incl. bonus cd) |
CD. NW6046 | |||||||||||||||||
2003, may 19, sanctuary (europe) |
CD. SANCD181 | |||||||||||||||||
1 | Uncommon Connection | 4:10 | ||||||||||||||||
2 | How Bad's The Coffee | 3:55 | ||||||||||||||||
3 | Nagging Dark | 3:15 | ||||||||||||||||
4 | My Baby Blue | 4:33 | ||||||||||||||||
5 | My Dog And me | 3:12 | ||||||||||||||||
6 | Almost Fed Up With The Blues | 4:35 | ||||||||||||||||
7 | Circle Back | 4:28 | ||||||||||||||||
8 | Window On The World | 3:35 | ||||||||||||||||
9 | Missing Pieces | 4:05 | ||||||||||||||||
10 | Fly Back Home | 4:43 | ||||||||||||||||
11 | The Last Time | 4:51 | ||||||||||||||||
12 | The Most Unoriginal Sin | 4:15 | ||||||||||||||||
Total running time: |
49:52 | |||||||||||||||||
bonus CD |
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limited edition borders exclusive disc with 3 unreleased recordings. original two track acoustic demo's. |
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1 | Uncommon Connection | 3:38 | ||||||||||||||||
2 | Missing Pieces | 4:08 | ||||||||||||||||
3 | Almost Fed Up With The Blues | 3:17 | ||||||||||||||||
Total running time: |
11:07 | |||||||||||||||||
Musicians |
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John Hiatt: |
Guitar (Electric) |
the goners |
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Ken Blevins: |
Drums background vocals |
Sonny Landreth: |
electric Guitar Slide Guitar dorbo background vocals |
David Ranson: |
Bass |
special guest: |
Bobby Keys: Baritone sax on: almost fed up with the blues |
Credits |
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Produced: |
Don Smith John Hiatt The Goners |
Recorded & mixed: | don smith |
assistant engineer: | jeremy cotrell |
Mastered: |
Doug Sax Robert Hadley |
booking: | rob Prinz, united talent agency |
photography: | Michael Wilson |
art Direction/Design: |
Kimberly Levitan, Good and Evil Design |
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thanks to | |
my family, ken levitan and all at vector, mary ann mcCready and all at FBM&M, cameron strang and all at new west, rob & nikki at uta, john mcBridge and all at blackbird studios, sonny landreth, kenneth blevins, dave ranson, ninyear wooldridge, dave "pops"clement, billy gosser, bob bloomfield, wayne trevisani, brad hunt, d 'Addario strings, marshall amps, ampeg amps, vox amps, gibson guitars | |
Note |
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press photo
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new west records biography |
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"Time is
running out," says John Hiatt. "We're not getting any younger - so you got
to, you know, carpe diem." And so Hiatt decided that for his next project,
he wanted to strike while the iron was hot and document the sound of his
longtime collaborators, the Goners, in true fighting shape, just a few
months after their last tour. The resulting album, Beneath This Gruff
Exterior, was recorded absolutely live in just eight days - "I couldn't
have fixed a vocal if I wanted to," says Hiatt. It's his 18th release, but
it's the first one ever credited to the alliance known as "John Hiatt and
the Goners." |
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allmusic.com While Beneath This Gruff Exterior is credited to John Hiatt & the Goners, a more appropriate designation might be "John Hiatt and Sonny Landreth" — hotshot guitarist Landreth, who has held down a longtime on-and-off tenure in Hiatt's road band, spreads his licks over every nook and cranny of this album, so much so that his guitar spends about as much time in the spotlight as Mr. Hiatt himself. With the guitars turned up and Hiatt willing to push the growl of his voice to the limit, Beneath This Gruff Exterior finds Hiatt in stripped-down and rockin' form, much more so than on the albums which immediately preceded it. The production (by Don Smith with Hiatt and the band) is simple and straightforward, sounding loose and live, with Hiatt willing to let a few minor vocal glitches slip into the final mix. In short, this is a John Hiatt rock & roll album, which means his more serious songs are put on hold and stuff like "How Bad's the Coffee" and "Almost Fed Up With the Blues" find their way onto disc. But as has long been the case, Hiatt's lighter stuff still packs more emotional heft than most songwriters you could mention (especially on "Missing Pieces" and "The Most Unoriginal Sin"), and if his voice sounds as if it's starting to fray a tiny bit, he can still belt it out pretty convincingly for a guy who's been making records since 1974. The vast majority of Hiatt's albums fall into one of two categories — brilliant and real good. Beneath This Gruff Exterior falls into the latter file, which means it isn't a revelation like Two Bit Monsters or Bring the Family, but it's got good songs sang by a great songwriter, and played by a rockin' little band with a real fine guitarist up front, and if that's not what you're looking for, you're probably not much on Hiatt anyway. |