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slug line |
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1979 MCA |
LP. MCA 3088 | |||||||||||||||||
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CAS. MCAC 748 | |||||||||||||||||
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CD. MCAD 31358 | |||||||||||||||||
1993 BGO records (2 on 1 CD) |
CD. BGO CD 176 | |||||||||||||||||
2002 Universal |
CD. 31358 | |||||||||||||||||
???? rainbow music group (australia) |
CD. MFPCD 047 | |||||||||||||||||
1 | You used to kiss the girls | 2:32 | ||||||||||||||||
2 | The negroes were dancing | 2:43 | ||||||||||||||||
3 | Slug line | 2:58 | ||||||||||||||||
4 | Madonna road | 4:18 | ||||||||||||||||
5 | (No more) Dancing in the streets | 2:21 | ||||||||||||||||
6 | Long night | 5:17 | ||||||||||||||||
7 | The night that Kenny died | 2:33 | ||||||||||||||||
8 | Radio girl | 2:54 | ||||||||||||||||
9 | You're my love interest | 3:14 | ||||||||||||||||
10 | Take off your uniform | 4:06 | ||||||||||||||||
11 | Sharon's got a drugstore | 2:11 | ||||||||||||||||
12 | Washable ink | 3:15 | ||||||||||||||||
Total running time: |
38:22 | |||||||||||||||||
Musicians |
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John Hiatt: |
Guitar
Vocals |
Jerry Conway: | Drums |
Bruce Gary | Drums |
Thom Mooney | Drums |
B.J. Wilson | Drums |
Doug Yankus | Guitar |
Veyler Hildebrand: | Bass |
Jon Paris: |
Guitar Bass |
Todd Cochran: |
Organ Piano Keyboards |
Etan McElroy: |
Piano Vocals Background Vocals |
Credits |
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Produced: | Denny Bruce |
Engineer: | Russ Gary |
Second Engineer: | Michael Carnevale |
original art direction: | john van hamersveld |
photographer: | nick rozsa |
management: |
denny bruce havana moon, hollywood |
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Note |
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press photo
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allmusic.com |
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Conventional wisdom at the time was that MCA Records had signed John Hiatt (who had languished without a record contract for four years) with the idea that he would be their Elvis Costello — a singer/songwriter in the fashionable punk/new wave style. Certainly, Hiatt has stripped down and roughed up from his Epic records here, fronting a straight-ahead guitar rock band (that was capable, of course, of playing the obligatory reggae number), eschewing the stylistic diversity he reveled in before, and throwing out snappy, aphoristic lyrics in a highly processed voice. None of this quite turns him into Elvis Costello, although the mean streak he reveals would serve him well later. |