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Mystic Pinball |
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2012, September 25, new west records |
CD:
NW 6260 |
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1 | We're Alright Now | 4:31 |
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2 | Bite Marks | 3:36 |
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3 | It All Comes Back Someday | 3:38 |
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4 | Wood Chipper | 4:33 |
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5 | My Business | 3:04 |
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6 | I Just Don't Know What To Say | 4:37 |
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7 | I Know How To Lose You | 3:47 |
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8 | You're All The Reason I Need | 3:46 |
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9 | One Of Them Damn Days | 2:45 |
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10 | No Wicked Grin | 3:54 |
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11 | Give It Up | 4:07 |
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12 | Blues Can't Even Find Me | 3:32 |
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Total running time: |
46:01 | |||||||||||
Musicians |
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John Hiatt: |
acoustic and electric guitar |
Doug Lancio: |
acoustic and electric guitar mandolin Dobro |
Kenneth Blevins: |
drums |
Patrick O’Hearn: |
Bass |
Ron Dziubla: | Sax |
Arlan Schierbaum: | Piano and Organ |
Russ Pahl: | Pedal steel guitar |
Brandon Young: | Backing vocals |
Doug Henthorn: | Harmony vocals |
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About the album Acclaimed musician and songwriter John Hiatt will release Mystic Pinball on September 25th via New West Records. Called “…one of rock’s most astute singer-songwriters of the last 40 years” by the Los Angeles Times, Hiatt continues to write brilliant character studies, twisting entertaining storylines with cunning lyrics and wry humor including “We’re Alright Now,” the first single from Mystic Pinball. “We’re Alright Now” is a blues driven, gospel song available to hear at Facebook.com/JohnHiatt. Mystic Pinball will be available as both a CD and on limited edition 180-gram vinyl. Hiatt and his band, The Combo, have gained a reputation for captivating crowds at their live shows as The Tennessean depicts: “He prowls the stage, delivering the bluesy stuff in a whiskey-burn howl, shouting the rock stuff and fronting a formidable band that can turn on a dime, from ballads to bombast.” Hiatt & The Combo begin a US run mid-August that includes dates with Steve Earle, a special appearance at the Americana Festival in Nashville and two shows at City Winery in NYC (full list of dates below.) For Mystic Pinball, Hiatt’s 21st studio album, Hiatt
turned to producer Kevin “Caveman” Shirley (Aerosmith, Iron Maiden, Joe
Bonamassa.) Shirley also produced Hiatt’s highly praised Dirty Jeans And
Mudslide Hymns, which the New York Times declared was “…his best since
1995.” Hiatt relies on the exceptional musical skills of Doug Lancio (electric
guitar, mandolin, Dobro), Kenneth Blevins (drums and percussion) and
Patrick O’Hearn (bass) to play with him on the record.
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Allmusic.com To his credit, John Hiatt has never been a guy with much interest in doing the same thing twice in a row, and it's not uncommon for a new Hiatt album to seem like a reaction to the last record he made -- a quiet, acoustic-based album will often be followed by a tougher, more rollicking set, and if he was thoughtful and introspective last time, it's a fair bet he'll sound tougher and wilder the next time he goes into the studio. Since 2011's Dirty Jeans & Mudslide Hymns boasted the slickest production to grace a Hiatt album in quite some time, it's paradoxically appropriate that Mystic Pinball, appearing just 13 months later, sounds a lot looser, funkier, and more lively, as if Hiatt and his band rolled in and cut these songs without much fuss. As it happens, Dirty Jeans and Mystic Pinball were both produced by the same guy, Kevin Shirley, but the finished product certainly sounds and feels different, and the rough and ready tone of these sessions fits the material well, especially the crunchy, blues-shot "My Business," the witty but ominous "Wood Chipper," the marvelously cranky "One of Them Damn Days," and the Stones-style groove of "You're All the Reason I Need." If the production is simple, Hiatt and his band -- Doug Lancio on guitar, Patrick O'Hearn on bass, and Kenneth Blevins on drums -- are locked in tight enough to sound sharp and satisfying without being gimmicked up, and there's a sense of fun in this album that was often missing on Dirty Jeans. And for a guy who has cranked out four studio albums in five years, Hiatt is having a great run as a songwriter -- on this disc, the shaggy dog stories are funny, the blues numbers are full of righteous swagger, and he can sing about love like a guy who is still learning a few things at the age of 60 (and his voice is in fine shape, too). Who knows what sort of about-face John Hiatt will deliver the next time he feels like recording (prog rock, maybe?), but for a guy whose 40th year as a solo artist is appearing on the horizon, he's sounding as full of ideas and energy as a guy half his age, and Mystic Pinball confirms he's still delivering the goods in an impressive fashion. |